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The camera package bypasses standard cinema gear to utilize specialized broadcast and IMAX-tier platforms. The inventory includes arrays of ARRI Alexa 65 units, custom RED V-Raptor packages, and specialized high-speed Phantom Flex 4K cameras for ultra-slow-motion captures. Lenses are not rented; the director owns complete matching sets of vintage anamorphic glass alongside modern, pristine Cooke and Zeiss cine primes. For stabilization, the inventory features heavy-duty remote gimbals, Technocranes, and heavy-payload heavy-lift heavy drones capable of carrying full-size cinema rigs. Audio Architecture av director life unlimited money

You don't buy a RED Komodo. You call up RED and ask them to build a custom, one-off sensor the size of a pizza box that shoots 16K at 1,000 frames per second in negative light. You then use it as a B-cam. The inventory includes arrays of ARRI Alexa 65