As a musical, the film's score is one of its most celebrated features. The soundtrack was composed by Bruce Broughton and features a brilliant conceit: all of its songs are set to the tunes of famous classical pieces, with new humorous lyrics written by Chris Otsuki. The opening number, "All for One and One for All," is a rousing rendition of the "Can-Can" from Jacques Offenbach's Orpheus in the Underworld . "Love So Lovely" cleverly combines Tchaikovsky's "Dance of the Reed Flutes" from The Nutcracker and his Romeo and Juliet Fantasy Overture. Pete's villainous anthem, "Petey's King of France," is set to the driving menace of Edvard Grieg's "In the Hall of the Mountain King". Other classical inspirations include Johann Strauss Jr.'s "The Blue Danube" for "Sweet Wings of Love" and Beethoven's iconic Symphony No. 5 for the finale, "This Is the End". To top it all off, the film also features a rewritten cover of the Schoolhouse Rock classic "Three Is a Magic Number" by pop singers Stevie Brock, Greg Raposo, and Matt Ballinger.
Goofy is widely considered the highlight of this film, often stealing the show from his co-stars. mickey donald goofy the three musketeers goofy
The brilliance of Goofy’s setup lies in the contrast between his internal ambition and his external reality. Mickey is small but scrappy; Donald is eager but cowardly. Goofy, however, is simply oblivious. In the early scenes, he is the definition of "chaos neutral." He wants to help, but his help often results in disaster. He is the lovable fool who doesn't realize the limitations of his own coordination. As a musical, the film's score is one