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A crucial subtext is the mother-son dyad as a response to a father’s absence—physical, emotional, or moral. The mother is often forced to play both roles, which can confuse the son’s understanding of power, tenderness, and authority.

In the same vein as Imamura, the Japanese New Wave brought experimental and critical perspectives to the screen. A prime example is A Story Written with Water (1965), Yoshishige Yoshida's first independent film after leaving the Shochiku studio. This movie is a direct adaptation of a novel by Yojiro Ishizawa and is a study in psychological isolation. It follows Shizuo, an office worker living with his mother, Shizuko. The film explores a strong, almost sexual bond between the two, employing a disjointed narrative that blends past and present to show how their relationship has made them incapable of forming normal emotional and sexual attachments with others. This film stands out as a purely artistic, non-pornographic exploration of the theme, typical of the Japanese New Wave's rebellious spirit.

1. The Freudian Shadow: Oedipal Complex and Psychological Tension