If a character bends their elbow, the joint will gap if the bicep and forearm pieces just touch. Round out the overlapping joints into overlapping circles so the pivot points remain seamless.
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Backgrounds are not filled in behind foreground characters, leaving gaping holes when the character moves. If a character bends their elbow, the joint
You don't start with a blank canvas. You start with a skeleton. Students learn to draw "onion skins" over live-action reference to find the pivot points before placing a single color. The goal is "Live Surface rigging"—drawing the skin specifically for the bones underneath. Backgrounds are not filled in behind foreground characters,
If you are highly skilled at keyframing, expressions, and 3D rendering, but your original designs look basic or uninspired, this course will fundamentally transform your visual output. 🌟 The Traditional Illustrator Wanting to Enter Motion
A major selling point of the course is the instructor. Sarah Beth Morgan is a powerhouse in the industry, known for her whimsical style, tactile textures, and seamless integration of 2D and 3D elements. Her teaching style is approachable and encouraging. She breaks down complex illustrations into manageable shapes, demystifying the process of "finding" the right style for a project.
If you have searched for you are likely past the basics. You know how to keyframe and navigate After Effects. Now, you are looking for the secret sauce that separates the amateurs from the top-tier pros—specifically, how to design illustrations specifically for the purpose of animation.