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Magazines like City Magazine ( Ho-Hau ) became playgrounds for visual experimentation. Art directors rejected standard corporate layouts in favor of gritty, cinematic photography, neon-drenched aesthetics, and bold typography. Magazine covers from the 1995–1997 era frequently used stark, symbolic imagery—such as clocks, melting ice, or blurred skylines—to capture the psychological state of the city. The Rise of Investigative Tabloids

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