Traditionally, jazz musicians are taught to think scalarly (moving step-by-step through scales) or chordally (arpeggiating 1-3-5-7 chords). While these methods are foundational, they can sometimes lead to predictable, linear solos.
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A standard scale has a specific order of whole-steps and half-steps (W-W-H-W-W-W-H). Harris throws that away. Instead, he would take a specific interval—say, a Major 3rd (4 semitones). Traditionally, jazz musicians are taught to think scalarly
Many improvisers find themselves stuck playing linear, scalular patterns. This book is the ultimate solution. By focusing on intervals and leaps, it forces you to hear and move across the instrument in entirely new ways. It's a powerful tool for "getting away from practicing so much on scales, chords, etc. and spend more time practicing useful melodic ideas." Instead, he would take a specific interval—say, a