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The film ended. The light bulb flickered on. For ten seconds, there was silence.
Simultaneously, the VCR revolution hit. Why go to a dilapidated cinema when you could watch a Hindi or Hollywood film at home? For nearly a decade (1985-1995), Punjabi cinema almost ceased to exist. Only a handful of films, often religious (on Guru Gobind Singh) or low-budget action films, were made. The cultural output of Punjab shifted entirely to music—to bhangra pop and the cassette revolution of the 90s. The singer, not the actor, became the hero. This musical dominance would later define the "second coming" of Pollywood. Punjabi.movies