Proximity and editing created the illusion of involvement. The film's director, Riccardo Schicchi, reportedly jump-cut between the horse sex and scenes of Cicciolina and other people having sex, which further blurred the lines for viewers. Over time, the memory of Denise Dior's actions was erroneously attributed to the film's star, Cicciolina, whose name was on the title.
To fully understand Cicciolina's "romantic storylines," one must look at her relationship with the public and the Italian electorate. Staller treated politics as a form of performance art rooted in the philosophy of free love and anti-censorship. Cicciolina Sex Horse.htm
U.S. courts awarded custody to Koons, while Italian courts repeatedly sided with Staller, creating a massive international legal deadlock. Proximity and editing created the illusion of involvement