But this, too, has a shadow side. There is a growing phenomenon of "performative spectatorship." In the attention economy, our reaction to media becomes a part of our identity. We do not just watch a movie; we "react" to it. We rate it, we tweet about it, we use it as a signal of our moral standing. The content becomes a prop in the performance of the self. We risk treating the real world as a library of potential content, viewing tragedy not as something to be solved, but as something to be processed, packaged, and consumed as "story."

: Authentic Korean web platforms rely deeply on the native script, Hangul. Westernized alphabetic search strings containing character prefixes are generally indicative of international traffic indexing rather than organic local sites.